Mansion On The Hill, The(I***N=9780679743774) 英文原版 pdf 下载 极速 mobi txt pdb lrf 网盘

　　In 1964, on the brink of the British Invasion, the music

business in America shunned rock and roll. There was no rock press,

no such thing as artist management -- li***lly no rock-and-roll

business. Today the industry will gross over $20 billion. How did

this change happen? From the moment Pete Seeger tried to cut the

power at the 1965 Newport Folk Festival debut of Bob Dylan's

electric band, rock's cultural influence and business potential

have been gr***ed by a rare assortment of ambitious and farsighted

musicians and businessmen. Jon Landau took calls from legendary

producer Jerry Wexler in his Brandeis dorm room and went on to

orchestrate Bruce Springsteen's career. Albert Grossman's cold-eyed

assessment of the financial power at his clients' fingertips made

him the first rock manager to blaze the trail that David Geffen

transformed into a superhighway. Dylan's uncanny ability to keep

his manipulation of the business separate from his art and

reputation prefigured the savvy -- and increasingly cynical --

professionalism of groups like the Eagles. Fred Goodman, a longtime

rock critic and journalist, digs into the contradicti*** and

ambiguities of a generation that spurned and sought success with

equal fervor. The Mansion on the Hill, named after a song title

used by Hank Williams, Neil Young, and Bruce Springsteen, breaks

new ground in our understanding of the people and forces that have

shaped the music. "From the Hardcover edition."

Book One THE AMERICAN REVOLUTION

Cambridge and the Battle of Newport

The Tea Party

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　　Drawing on unprecedented candid interviews with rock's

luminaries and behind-the-scenes fixers, ve***n music journalist

Fred Goodman takes readers from the coffee houses of 1960s Boston

to the boardrooms of 1990s L.A. as he relates the uneasy alliances

between visionaries like Dylan, Young, and Springsteen and the men

who launched their careers. of p***os.