Design Meets Disability 当设计遇到障碍 pdf 下载 极速 mobi txt pdb lrf 网盘

Eyeglasses have been transformed from medical necessity to fashion accessory. This revolution has come about through embracing the design culture of the fashion industry. Why shouldn't design sensibilities also be applied to hearing aids, prosthetic limbs, and communication aids? In return, disability can provoke radical new directi*** in mainstream design. Charles and Ray Eames's iconic furniture was inspired by a molded plywood leg splint that they designed for injured and disabled servicemen. Designers today could be similarly inspired by disability.

In Design Meets Disability, Graham Pullin shows us how design and disability can inspire each other. In the Eameses' work there was a healthy tension between cut-to-the-chase problem solving and more playful explorati***. Pullin offers examples of how design can meet disability today. Why, he asks, shouldn't hearing aids be as fashionable as eyewear? What new forms of braille signage might proliferate if designers kept both sighted and visually impaired people in mind? Can *** designs avoid the need for complicated accessibility features? Can such emerging design methods as "experience prototyping" and "critical design" complement clinical trials?

Pullin also presents a series of interviews with leading designers about specific disability design projects, including stepstools for people with restricted growth, prosthetic legs (and whether they can be both honest and beautifully designed), and text-to-speech technology with tone of voice. When design meets disability, the diversity of complementary, even contradictory, approaches can enrich each field.

when the Eameses met Leg splints

thanks

introduction

initial tensi***

fashion meets discretion

exploring meets solving

*** meets universal

identity meets ability

provocative meets sensitive

feeling meets testing

expression meets information

meetings with designers

Tomoko Azumi meets step stools

if PhiLippe Starck met bottom wipers

if Jasoer Morrison met wheelchairs

Michael Marriott meets wheelchairs

if Hussein ChaLayan met robot arms

Martin Bone meets prosthetic Legs

if Jonathan Ive met hearing aids

if Paul Smith met hearing aids

if Cutler and Gross met hearing aids

Graphic Thought FaciLity meets braiLLe

if Tord Boontje met braiLLe

Crispin Jones meets watches for visualLy'impaired people

if DuffeL[ Bishop met communication aids

if JuLius Popp met communication aids

Andrew Cook meets communication aids

if Dunne & Raby met memory aids

if Stefan Sagmeister met accessibility signage

Vexed meetswheetchair capes

conclusion

notes

p***ography credits

index

Graham Pullin is a lecturer in In***ctive Media Design at the University of Dundee. He has worked as a senior designer at IDEO, one of the world's leading design c***ultancies, and at the Bath Institute of Medical Engineering, a prominent rehabilitation engineering center in the United Kingdom. He has received international design awards for design for disability and for mainstream products.

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"There is huge potential for innovation in the daily lives of disabled people. Graham Pullin's timely and inspiring book describes a wide range of design challenges; many of these sound niche at first—but have broad potential. What are needed are off-the-wall thinking, design craft, and engineering brilliance—plus disabled people as expert co-designers."

　　—John Thackara, designer and author of In the Bubble

"This book will change your emotional resp***e to designing for disability forever, as you discover that designs can celebrate a medical necessity, as in elegant and fashionable eyewear from Cutler and Gross, or openly express functionality, as in the carbon fiber running legs sported by Aimee Mullins. Graham Pullin creates this change with chapters that are rich with examples and luscious images, combining deep thinking with a light touch. In the second half of the book he presents us with a fascinating collection of his favorite designers, leaving us yearning for the meetings between design and disability that such rich talent might generate, given the opportunity."

　　—Bill Moggridge, Cofounder of IDEO and author of Designing In***cti***

书籍介绍

Eyeglasses have been transformed from medical necessity to fashion accessory. This revolution has come about through embracing the design culture of the fashion industry. Why shouldn't design sensibilities also be applied to hearing aids, prosthetic limbs, and communication aids? In return, disability can provoke radical new directi*** in mainstream design. Charles and Ray Eames's iconic furniture was inspired by a molded plywood leg splint that they designed for injured and disabled servicemen. Designers today could be similarly inspired by disability. In Design Meets Disability, Graham Pullin shows us how design and disability can inspire each other. In the Eameses' work there was a healthy tension between cut-to-the-chase problem solving and more playful explorati***. Pullin offers examples of how design can meet disability today. Why, he asks, shouldn't hearing aids be as fashionable as eyewear? What new forms of braille signage might proliferate if designers kept both sighted and visually impaired people in mind? Can *** designs avoid the need for complicated accessibility features? Can such emerging design methods as "experience prototyping" and "critical design" complement clinical trials? Pullin also presents a series of interviews with leading designers about specific disability design projects, including stepstools for people with restricted growth, prosthetic legs (and whether they can be both honest and beautifully designed), and text-to-speech technology with tone of voice. When design meets disability, the diversity of complementary, even contradictory, approaches can enrich each field.Graham Pullin is a lecturer in In***ctive Media Design at the University of Dundee. He has worked as a senior designer at IDEO, one of the world's leading design c***ultancies, and at the Bath Institute of Medical Engineering, a prominent rehabilitation engineering center in the United Kingdom. He has received international design awards for design for disability and for mainstream products.