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The first full-length ***ytical study of Edward Elgar's music, this book argues that Elga***as a modernist composer, and that his music c***titutes a pessimistic twentieth-century assessment of the nature of human being. Focusing on Elgar's music rather than his life, Harper-Scott blends the hermeneutic and existential philosophy of Martin Heidegge***ith music-***ytical methods derived from Heinrich Schenker and James Hepokoski. In the course of engaging with debates centred on duotonality in musical structures, sonata deformati***, meaning in music, the nature of tragedy, and the quest narrative, the book rejects poststructuralist and li***ry-theoretical interpretati*** of music, radically interprets Schenkerian theory, and tentatively outlines a new space - a Heideggerian 'clearing' - in which music of all periods can be understood to operate, be experienced and be understood. The book includes a detailed glossary which provides the reade***ith clear definiti*** of important and difficult terms.

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书籍介绍

The first full-length ***ytical study of Edward Elgar's music, this book argues that Elga***as a modernist composer, and that his music c***titutes a pessimistic twentieth-century assessment of the nature of human being. Focusing on Elgar's music rather than his life, Harper-Scott blends the hermeneutic and existential philosophy of Martin Heidegge***ith music-***ytical methods derived from Heinrich Schenker and James Hepokoski. In the course of engaging with debates centred on duotonality in musical structures, sonata deformati***, meaning in music, the nature of tragedy, and the quest narrative, the book rejects poststructuralist and li***ry-theoretical interpretati*** of music, radically interprets Schenkerian theory, and tentatively outlines a new space - a Heideggerian 'clearing' - in which music of all periods can be understood to operate, be experienced and be understood. The book includes a detailed glossary which provides the reade***ith clear definiti*** of important and difficult terms.