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This volume showcases 116 masterpieces arranged into the four major themes that characterize Gi***io Morandi’s work: self portraits, still lifes, landscapes, and flowers. The collection represents all the various expressive techniques used by Morandi over the years, including paint, etching, drawing and watercolor.The volume is the catalog of an outstanding exhibition ***anized by the Metropolitan Museum in New York and by the Museo d’Arte Moderna in Bologna. The exhibition will be open in New York from September 16 to December 14, 2008 and in Bologna from January 22 to April 12, 2009.The exhibition and the catalog also contain a number of p***ographs of Morandi’s studio and quotes from his admirers, as well as the memorable 1958 interview with Edouard Roditi.

Foreword

Philippe de Montebello

Foreword

Introduction

Gi***io Morandi Today

On Somc of Gi***io Morandi's

1913-1920

A "Light without Color": Gi***io Morandi and Piero della Francesca

A World in Black and White: The Imagery and Technique of Morandi's Etchings

1920-1940

Morandi on Either Side of the Atlantic.Critics, Collectors, and Dealers in Europe and the Americas

1940-1951

Gi***io Morandi: The Times and Antinomies of a Legend

1951-1956

Nothing ls More Abstract Than Reality

1956-1964

My First Morandi

Appendix

Autobiography

Italian Artists: Gi***io Morandi

From Columbia University to Via Fondazza

Peppino Mangravite Interviews Gi***io Mora

Gi***io Morandi

Biographical Outline

Esscntial Bibliography

Maria Cristina Bandera is Director of the Fondazione di Studi di Storia dell’Arte Roberto Longhi a Firenze. Renato Miracco is the Director of the Italian Cultural Institute in New York. Janet Abramowicz was a Senior Lecturer for twenty years in the Department of Fine Arts at Harvard University. Flavio Fergonzi is a Professor of Contemporary Art History at the University of Udine. Maria Mimita Lamberti is a Professor of Contemporary Art History at the University of Torino. Neville Rowley is currently doing a PhD at the Sorbonne, where he taught for three years. Lorenza Selleri is Curator at the Museo Morandi, Bologna.

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Morandi, intent on modernity, strips his figure of any ostentation or academic c***truction and portrays himself with a severe and self-absorbed expression. His face is deliberately veiled in shadow as though rejecting any approach from the viewer and offering us no psychological insight.

书籍介绍

This volume showcases 116 masterpieces arranged into the four major themes that characterize Gi***io Morandi’s work: self portraits, still lifes, landscapes, and flowers. The collection represents all the various expressive techniques used by Morandi over the years, including paint, etching, drawing and watercolor.The volume is the catalog of an outstanding exhibition ***anized by the Metropolitan Museum in New York and by the Museo d’Arte Moderna in Bologna. The exhibition will be open in New York from September 16 to December 14, 2008 and in Bologna from January 22 to April 12, 2009.The exhibition and the catalog also contain a number of p***ographs of Morandi’s studio and quotes from his admirers, as well as the memorable 1958 interview with Edouard Roditi.