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一个关于爱情、迷失和隐匿的***的故事,一个简单得极具欺骗性的故事,却慢慢地渗透出非同寻常的情感深度,充满了一种人类生命的脆弱感。

它在表现出卡夫卡般的细腻与敏感的同时,令人心碎、震撼又恐惧而可信。尤其是它对女性行为和心理上的精细把握和刻画,马上能让人联想到川端康成、渡边淳一等日本文学大家们所共有的文学传统。

本小说通过探索正常的人和可能会出现的人类的新品种***人之间的关系,揭示了人性的脆弱、自私和残忍,展现了作者对于人类的新品种***人的悲悯情怀。英国布克奖得主,本小说作者石黑一雄曾说,本小说“提供的状况,是只要科学战线上一两件事的发展有所不同,那么二十世纪末的英国就有可能存在的一种状况”。这种状况也许很快就会成为现实。

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石黑一雄一九五四年生于日本长崎,五岁时随其父前往英国定居。他迄今共出版六部长篇小说,其作品已被翻译成三十多种语言。他的每部长篇小说都曾获欧美的文学奖项,其中包括一次英国布克奖(《长日留痕》),另加三次该奖提名。

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就只有那一次，我站在那里，望着那些莫名其妙的垃圾，感到来自那片旷野的风吹在我身上，我开始幻想一个小小的梦境，毕竟这里是诺福克，我失去他才只有两星期而已。我想着那些垃圾，树枝上翻飞的垃圾袋，围栏沿线如同海岸线一样挂住的各种东西，于是我半闭上眼睛，想象着就是在这个地方，我从童年时代起所有失去的一切都会被海水冲刷上岸，现在我就迎面站在这里，如果我等待得足够久，一个小小的身影就会出现在田野对面的天边，渐渐地越来越大，直到我认出那是汤米，他会朝我挥手，也许甚至会喊我。这幻想仅止于此——我不允许——尽管泪水从我脸上滚落，但我没有哭泣，也没有失控。

“我总是想到在某个地方有条河，河水非常急。河水里有这么两个人，他们试图抓住彼此，竭尽一切可能紧紧地抓组对方，可是最终还是不行。水流实在太急了，他们没法不松开，分开漂走了。我想这就是我们现在的情形。真是可惜啊，凯西，因为我们一生彼此相爱。可是最终我们却不能永远在一起。”

那天我看着你跳舞的时候，我看到了某样别的东西。我看到了一个新世界的迅速来临。更科学，更有效，是的，对于以往的疾病有了更多的治疗方式。那非常好，却又是一个非常无情和残忍的世界。我看到了一个小女孩，她紧闭双眼，胸前怀抱着那个仁慈的旧世界，一个她内心知道无法挽留的世界，而她正抱着这个世界恳求着：别让我走。

Looking back now, I can see we were pretty confused about this w*** area around ***. That’s hardly surprising, I suppose, given we were barely sixteen. But what added to the confusion—I can see it more clearly now—was the fact that the guardians were themselves confused. On the one hand we had, say, Miss Emily’s talks, when she’d tell us how important it was not to be ashamed of our bodies, to “respect our physical needs,” how *** was “a very beautiful gift” as long as both people really wanted it. But when it came down to it, the guardians made it more or less impossible for any of us actually to do much without breaking rules. We couldn’t visit the boys’ dorms after nine o’clock, they couldn’t visit ours. The classrooms were all officially “out of bounds” in the evenings, as were the ar...

I say this, but the only real case I personally knew of like that was when Jenny C. and Rob D. got interrupted in Room 14. They were doing it after lunch, right there over one of the desks, and Mr. Jack had come in to get something. According to Jenny, Mr. Jack had turned red and gone right out again, but they’d been put off and had stopped. They’d more or less dressed themselves when Mr. Jack came back, just as though for the first time, and pretended to be surprised and shocked.

“It’s very clear to me what you’ve been doing and it’s not appropriate,” he’d said, and told them both to go and see Miss Emily. But once they’d got to Miss Emily’s office, she’d told them she was on he***ay to an important meeting and didn’t have time to talk to them.

“But you know you shouldn’t have been do...

Gay ***, incidentally, was something we were even more confused about. For some reason, we called it “umbrella ***”; if you fancied someone your own ***, you were “an umbrella.” I don’t know how it was where you were, but at Hailsham we definitely weren’t at all kind towards any signs of *** stuff. The boys especially could do the cruellest things. According to Ruth this was because quite a few of them had done things with each othe***hen they’d been younger, before they’d realised what they were doing. So now they were ridiculously tense about it. I don’t know if she was right, but for sure, accusing someone of “getting all umbrella” could easily end in a fight.

书籍介绍

一个关于爱情、迷失和隐匿的***的故事,一个简单得极具欺骗性的故事,却慢慢地渗透出非同寻常的情感深度,充满了一种人类生命的脆弱感。

它在表现出卡夫卡般的细腻与敏感的同时,令人心碎、震撼又恐惧而可信。尤其是它对女性行为和心理上的精细把握和刻画,马上能让人联想到川端康成、渡边淳一等日本文学大家们所共有的文学传统。

本小说通过探索正常的人和可能会出现的人类的新品种***人之间的关系,揭示了人性的脆弱、自私和残忍,展现了作者对于人类的新品种***人的悲悯情怀。英国布克奖得主,本小说作者石黑一雄曾说,本小说“提供的状况,是只要科学战线上一两件事的发展有所不同,那么二十世纪末的英国就有可能存在的一种状况”。这种状况也许很快就会成为现实。